His
Rene Charles Edmond His ( )
Rene Charles Edmond His was born in the small town of Colombes, France in Although little is recorded about his life, it is known that he was taught by the distinguished teachers; Jules Lefebvre, Tony Robert-Fleury and Leon Tanzi. However, the most important influence on his work appears to have been the well known artist Henri Biva whose meticulous style and feeling for nature inspired the him to strive for perfection in his depiction of woodland and river banks. He became a member of La Societe des Artistes Francais in and received a commendation, followed by a bronze medal, in L'Exposition Universelle also honoured him in the same year. His rarely ventured far afield and became something of a recluse. However, he did travel to the coastal regions of Provence and to Algeria. Examples of his work during this period are comparatively rare. Rene His' works were successfully sold, for many years in France, through the Leon Gerard Gallery. Collectors and critics alike across the Channel were captivated by his outstanding treatment of the interaction of light on water and demand grew for his paintings in Britain.
René Charles Edmond His was born in the small town of Colombes, France in Although little is recorded about his life, it is known that he was taught by distinguished teachers- Jules Lefebvre, Tony Robert-Fleury and Leon Tanzi. However, the most important influence on his work appears to have been the well known artist Henri Biva, whose meticulous style and feeling for nature inspired the him to strive for perfection in his depiction of woodlands and river banks.
He became a member of La Societe des Artistes Francais in , and received a commendation, followed by a bronze medal, in L'Exposition Universelle also honoured him in the same year.
He rarely ventured far afield and became something of a recluse. However, he did travel to the coastal regions of Provence, as well as to Algeria. Examples of his work during this period are comparatively rare.
Rene His' works were successfully sold, for many years, in France, through the Leon Gerard Gallery. Collectors and critics alike across the Channel were captivated by his outstanding treatment of the interaction of light on water and demand grew for his paintings in Britain.
Garden in Col de Villefranche ~ Rene Charles Edmond His
Artist Biography
Rene Charles Edmond His (Rene-His) was born in the small town of Colombes, France in Although little is recorded about his life, it is known that he was taught by the distinguished teachers; Jules Lefebvre, Tony Robert-Fleury and Leon Tanzi. However, the most important influence on his work appears to have been the well-known artist Henri Biva whose meticulous style and feeling for nature inspired him to strive for perfection in his depiction of woodland and river banks.
He became a member of La Societe des Artistes Francais in and received a commendation, followed by a bronze medal, in L&#;Exposition Universelle also honoured him in the same year.
He rarely ventured far afield and became something of a recluse. However, he did travel to the coastal regions of Provence and to Algeria. Examples of his work during this period, and the present fine examples of views near Villefranche are comparatively rare.
Rene His&#; works were successfully sold, for many years in France, through the Leon Gerard Gallery. Collectors and critics alike across the Channel were captivated by h
René-Charles-Edmond His
Né à Colombes, René-Charles-Edmond His effectue sa formation à Paris, en suivant successivement à l’École des Beaux-arts les enseignements des peintres Léon Tanzi, Jules Lefebvre, Tony Robert-Fleury et Henri Biva. Il expose à partir de au Salon des Artistes Français en privilégiant dans un premier temps des sujets majoritairement symbolistes, qui rencontrent un grand succès. Il obtint en effet une mention honorable dès , une médaille de troisième classe en et une nouvelle mention honorable la même année à l’Exposition Universelle pour Ophelia (cat. n° ). Si le sujet shakespearien de ce tableau, exposé l’année précédente au Salon, frappe la critique, c’est semble-t-il avant tout le traitement du paysage environnant qui remporte tous les suffrages. Henri Rochefort voit même dans le sujet tragique un « prétexte à une très jolie scène boisée », tandis que Boyer d’Agen accorde au décor végé
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