Quick Facts
Morris Levy Biography
Morris Levy is one of the most popular and richest Music Producer who was born on August 27, in Harlem, New York, United States. Roulette Records was founded by a controversial music executive.
In , he co-produced three John Lennon tracks with Phil Spctor.
He divorced Cyntha Brooks.
Morris Levy Net Worth
| Net Worth | $5 Million |
| Source Of Income | Music Producer |
| House | Living in own house. |
Morris Levy is one of the richest Music Producer from United States. According to our analysis, Wikipedia, Forbes & Business Insider, Morris Levy 's net worth $5 Million. (Last Update: December 11, )
By attracting top acts to his New York nightclub, the Cock Lounge, he gained influence in the music business.
He was convicted of extorting music wholesalers and sentenced to 10 year imprisonment.
Height, Weight & Body Measurements
Morris Levy height Not available right now. Morris weight Not Known & body measurements will update soon.
Who is Morris Levy Dating?
According to our records, Morris Levy is possibily single & has not been previously engaged. As of December 1, , Morris Levy’s is not da
Godfather of the Music Business
Music And EthnomusicologyPopular CultureBiography And Memoir
Morris Levy
The incredible story of the cofounder of Birdland, a force in jazz and pop, and one of music’s last great hustlers
Association of Recorded Sound Collections Awards for Excellence
Best Historical Research in Record Labels – Best History ()
This biography tells the story of one of the most notorious figures in the history of popular music, Morris Levy (). At age nineteen, he cofounded the nightclub Birdland in Hell's Kitchen, which became the home for a new musical style, bebop. Levy operated one of the first integrated clubs on Broadway and helped build the careers of Dizzy Gillespie and Bud Powell and most notably aided the reemergence of Count Basie. In , he founded a record label, Roulette Records. Roulette featured many of the significant jazz artists who played Birdland but also scored top pop hits with acts like Buddy Knox, Frankie Lymon and the Teenagers, Joey Dee and the Starliters, and, in the mids, Tommy James.
Stories abound of Levy threatening artists, songwriters, and producers, sometimes just for the sport, other times so he could continue to
Godfather of the Music Business: Morris Levy
Association of Recorded Sound Collections Awards for Excellence
Best Historical Research in Record Labels – Best History ()
This biography tells the story of one of the most notorious figures in the history of popular music, Morris Levy (). At age nineteen, he cofounded the nightclub Birdland in Hell's Kitchen, which became the home for a new musical style, bebop. Levy operated one of the first integrated clubs on Broadway and helped build the careers of Dizzy Gillespie and Bud Powell and most notably aided the reemergence of Count Basie. In , he founded a record label, Roulette Records. Roulette featured many of the significant jazz artists who played Birdland but also scored top pop hits with acts like Buddy Knox, Frankie Lymon and the Teenagers, Joey Dee and the Starliters, and, in the mids, Tommy James.
Stories abound of Levy threatening artists, songwriters, and producers, sometimes just for the sport, other times so he could continue to build his empire. Along the way, Levy attracted "investors" with ties to the Mafia, including Dominic Ciaffone (a.k.a. "Swats" Mulligan), Tommy Eboli, and the most notorious of the
Featured Book Review: The Godfather of the Music Business: Morris Levy
This book—an in-depth biography of Morris Levy, a legendary music business figure with reputed “mob ties” —is long overdue. We seem to have a collective fascination for scoundrels, thugs and gangsters. But Levy was no mere thug: from his Birdland, a midtown jazz club where Charlie Parker, Coltrane, Monk, Miles, Bud Powell and Count Basie played, to his mass marketing of pop music in the decades that followed, Levy had a keen sense of where the business was headed and capitalized on it. Yet Levy always remained a shadowy figure, even decades after his death. Nobody seemed to want to touch his story.[1] I’m very glad Richard Carlin finally did.
Carlin’s telling is filled with the sort of period detail that reveals an understanding not only of the industry’s history, but its complexity. The post WWII era–of hipster jazz clubs and singles-driven shoestring independent labels and publishers along with a few sleepy corporate giants still catering to a square, adult market – was literally exploded by a new, and as yet untapped, youth market. Levy exploited this with foresight, rut
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