Htein Lin was born in Mezaligon, a village north of Henzada in Burma’s northern Irrawaddy Delta, where his family owned a small sawmill. He began painting and performing while still at school, and continued at Rangoon University while studying for a law degree, a subject he chose for its performance possibilities. In March , he was one of a number of Rangoon University students who were expelled for protesting the authorities’ failure to properly investigate the death of fellow student Phone Maw. These protests were the first step that led to the ‘democracy spring’ in August/September that preceded the clampdown by the military that remain in power today.
After leading the protests in Mezaligon during that period, Htein Lin joined many other activists and fled to the Indian border where he joined the All Burma Students’ Democratic Front (ABDSF). While in exile he studied painting for a couple of months under Mandalay artist Sitt Nyein Aye, and illustrated the ABSDF’s publications. In the Indian government informed the ABSDF that they could no longer stay on Indian territory if they carried arms. Htein Lin left for an ABSDF camp inside Burma which was shortly afterwards overrun
Tasneem Gallery
Was born in Burma in
He studied law at University, became involved in Anyeint (Burmese Popular Theatre), and led the student protests in favour of democracy. Before being jailed in , he was a pioneer of performance art in Burma. During the six years he spent in prison, he developed printing and painting techniques that allowed him to secretly create hundreds of works on prison uniforms, using smuggled materials and objects he had in his cell, like plates and lighters.
After his release, he continued to paint using the techniques he had devised in jail and has also further developed his work as a performance artist. Htein Lin&#;s work is based on his extraordinary life experiences, political events in Burma, and his profound Buddhist faith. He currently lives in the United Kingdom, and his work has been exhibited in the UK, US, Australia, Hong Kong, Thailand, at major international fairs, like the Venice Biennale and the Singapore Fringe Festival
Artists
Htein Lin is a Burmese artist (painting, installation, performance) and writer. He has also worked as a comedian and actor.
Born in in Ingapu, Ayeyarwady Region, Myanmar, he was active in the student movement at Rangoon University where he studied law. Going underground after the military takeover, he spent almost four years in a refugee camp on the Indian border, where he studied art with Mandalay artist Sitt Nyein Aye, and in an ABSDF (Northern Branch) student rebel camp at Pajau on the Chinese border. In Pajau, he and other students were detained for around 9 months from and suffered physical abuse at the hands of other students in the most notorious episode of the opposition group’s history.
Escaping and returning to Yangon in May , he finished a law degree in before taking up work as a film actor. He held two solo shows in and Arrested in and jailed on spurious accusations of opposition activity, he spent almost seven years in jail (). During this time he developed his artistic practice, using items available to him like bowls and cigarette lighters in the absence of brushes to make paintings and monoprints on the cotton prison uniform.
Htein Lin pio
Htein Lin (b. ) is an artist and pro-democracy activist. From to , he was jailed for challenging the military dictatorship of Myanmar.
Htein Lin was born in the tiny village of Mezaligon, in the country Burma, which was later named Myanmar, in
In , aged 12, Lin started drawing for his school friends. He drew pictures of village life and his friends. Later on, Lin went to Rangoon University to study law. This is the place where his theatre journey started. In college, he became a part of the student comedy group. His group was trained by Zargana, a famous comedian who told political jokes against the military dictatorship.
Later on, in , Lin was sent to prison for challenging the Military Dictatorship. Now in jail, Lin continued to organize performance artworks with his fellow prisoners.
While being locked up, Lin couldn&#;t get his hands on enough material to create artworks. He then collected items that are readily available in jail, like bowls and lighters, and used them to make prints and paintings on the prison&#;s cotton uniforms. Lin created more than paintings and sculptures inspired by his experiences while being locked up.
After his imprisonment, he left Myanmar i
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